Thanksgiving: The Perfect Time ....to Sit on Your Ass [EDIT]

Ah, Thanksgiving. It's a time for feasting. Family. Parades...at least in every Thanksgiving movie you've ever seen.

...wait. What Thanksgiving movies? Are there any?

It is my not so humble opinion that there is, in fact, a dearth of Thanksgiving-themed movies. That is not necessarily a bad thing. It does make the concept of a Thanksgiving movie playlist, however, a little bit harder to pull off. I shall endeavor to achieve this goal.

Now, if you have been reading this blog since its inception at the beginning of October, then you probably read my post on October/Halloween movie-viewing. It was there that I actually began the "November" movie playlist with a number of ideas for the Day of the Dead, as well as a perfect Guy Fawkes Day suggestion of  V for Vendetta (again, humble). As such, I won't be reiterating those. The beginning of November, after all, doesn't really feel like the end of November, does it? Somewhere between Jack o'Lanterns and Turkeys, we shift inexorably into the "Holiday" season. Whatever stores had held out until the ghosts and goblins vacated are now in full swing with their rabid displays and "last-minute" sales pitches. Any semblance of normalcy will simply have to wait for another couple of months. So, it's sometimes hard to feel as though Thanksgiving even has its own identity as a holiday. It's almost more of an extension of the upcoming festivities, as the end of November railroads straight through the end of the year. And with the Ghost of Christmas Everything looming over our shoulder (even if one doesn't celebrate it), a bird with a death sentence can hardly be expected to pull focus, can it?

Another possible reason for the dearth of movies centered around this holiday is a decided lack of stakes. It's not a present-oriented holiday, like birthdays, or a candy-oriented holiday, like Easter; nor is it a particularly spiritual holiday (grace not withstanding). It is, in this day and age, a holiday centered around FOOD. There are several TV shows that have capitalized on this over the years, focusing on the homeless' lack thereof. Many times, it's an obvious bid on the part of the characters to look like good persons; most times, it almost always comes off a bit treacly. [How I Met Your Mother does a particularly obnoxious take on this, and I'm pretty sure that Growing Pains did about twelve episodes like this in the '80s.] In the end it doesn't feel like anything has changed, either in the characters, or in the viewer. The real issue of people struggling in life gets shunted aside in favor of momentary character development that doesn't stick. Christmas does this, too, though spiritual overtones are often shoehorned in to add some weight. So that might be part of the reason.

Oh, and let's not forget that whole indigenous culture appropriation and genocide. That could be part of it. Yeah.

Still, Thanksgiving is mostly a jump off holiday to get consumers going. The first round of holiday movies that will be in theaters through the end of the year are released. And let us not forget Black Friday, otherwise known as Satan's Asshole (no, wait, that's the DMV). So it's no wonder that Thanksgiving as a font of inspiration doesn't hit home for many. After all, by the time all is said and done, it's mostly just about the food and parades, isn't it? So bring on the food coma and hand me the remote. It's binge time....

The Legend of The Princess Bride: 30th Anniversary

I'm going to tell you a fairy tale.

Once upon a time, a somewhat obscure little movie was released to very little fanfare. It did its stint in the theaters, garnering a modest - though by no means unrespectable - box office for fall of 1987, and then began its trek to video stores and cable. 

It was called The Princess Bride. 

This movie was ridiculous. Based on a book by William Goldman (who also wrote the screenplay), the premise followed a grandfather's reading of a fairy tale story to his sick grandson. The story itself contained pirates, sword-fights, giants, giant rodents, a pit of despair (because who doesn't need one of those), true love, and a near Python-esque humor. It was too self-aware, too meta decades too early. (80's movies, with few notable exceptions, weren't generally well-known for awareness and introspection.) This fairy tale was lacking in magic & magical creatures and had an overabundance of dry wit, self-deprecation, and zaniness.

It wasn't a surprise that this movie hadn't been popular. One look at the poster probably told people too little to know what they were getting into, and movie trailers were still transitioning from the structure of yesteryear to what we recognize today, making it likely that it might have turned people off, rather than persuading them. Worse yet, that summer had a hellish release schedule, with Adventures in Babysitting, Innerspace, Full Metal Jacket, RoboCop, La Bamba, The Living Daylights, The Lost Boys, and sequels for Jaws, Revenge of the Nerds, and Superman, all opening in July alone. This was followed the rest of the summer by Stakeout, Can't Buy Me Love, Dirty Dancing, The Big Easy, Fatal Attraction, Hellraiser, and The Pick-up Artist.

People were exhausted. A weird little meta-comedy about fairy tales may have been too much as folks settled back into their autumn [read: school] routines. And that should have been the end of it.

But instead of fading into obscurity, something else happened to this funny little movie. It turned out that this peculiar fairy tale had not come and gone without notice. People who had seen it in the theaters had contributed to its numbers by telling their friends, co-workers, random people on the street, that they needed to see this movie. And when it came out on video, people caught on. They started talking about it. They started quoting it...and they refused to stop. And then it hit cable...

This is where I come in....