Ravings of an Unrepentant Cinephile

Caveat Lector

Caveat Lector - "Reader Beware"

This blog assumes readers love movies and will probably have already seen those discussed, or are looking for a reason to watch them. Therefore, assume spoilers in all posts. In other words, don't whine if I "ruin" the ending. You've been warned. *laughs maniacally*
Showing posts with label Meta. Show all posts
Showing posts with label Meta. Show all posts

The Matrix Viewing Order Masterlist

In preparation for The Matrix: Resurrections in December, I've been itching to rewatch the trilogy and The Animatrix. The theories about what it will be are already flying, so I've written down my viewing order master list for....research purposes. Sure. So, read on, if you're ready to fall down that rabbit hole...
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The Matrix: Resurrections trailer dropped this week, giving us our first glimpse back into the world we left behind almost two decades ago, and - oh! - what a glimpse. Can I just say that using Jefferson Airplane's "White Rabbit" should have been too on the nose, and yet they completely pulled off this needle drop? They even updated the song a bit, and I...I need that track. 

Of course, the internet lost its damn mind immediately, and theories abound as to what will happen in the new movie: will it be a sequel to the original trilogy? is it some kind of reboot (pun totally intended)? Perhaps its an alternate timeline. And the theories go on and on. 

All this has got me wanting to rewatch The Matrix trilogy and The Animatrix in a big way, and I have just the viewing order.

The Legend of The Princess Bride: 30th Anniversary



I'm going to tell you a fairy tale.

Once upon a time, a somewhat obscure little movie was released to very little fanfare. It did its stint in the theaters, garnering a modest - though by no means unrespectable - box office for fall of 1987, and then began its trek to video stores and cable. 

It was called The Princess Bride

This movie was ridiculous. Based on a book by William Goldman (who also wrote the screenplay), the premise followed a grandfather's reading of a fairy tale story to his sick grandson. The story itself contained pirates, sword-fights, giants, giant rodents, a pit of despair (because who doesn't need one of those), true love, and a near Python-esque humor. It was too self-aware, too meta decades too early. (80's movies, with few notable exceptions, weren't generally well-known for awareness and introspection.) This fairy tale was lacking in magic & magical creatures and had an overabundance of dry wit, self-deprecation, and zaniness.

It wasn't a surprise that this movie hadn't been popular. One look at the poster probably told people too little to know what they were getting into, and movie trailers were still transitioning from the structure of yesteryear to what we recognize today, making it likely that it might have turned people off, rather than persuading them. Worse yet, that summer had a hellish release schedule, with Adventures in Babysitting, Innerspace, Full Metal Jacket, RoboCop, La Bamba, The Living Daylights, The Lost Boys, and sequels for Jaws, Revenge of the Nerds, and Superman, all opening in July alone. This was followed the rest of the summer by Stakeout, Can't Buy Me Love, Dirty Dancing, The Big Easy, Fatal Attraction, Hellraiser, and The Pick-up Artist.

People were exhausted. A weird little meta-comedy about fairy tales may have been too much as folks settled back into their autumn [read: school] routines. And that should have been the end of it.

But instead of fading into obscurity, something else happened to this funny little movie. It turned out that this peculiar fairy tale had not come and gone without notice. People who had seen it in the theaters had contributed to its numbers by telling their friends, co-workers, random people on the street, that they needed to see this movie. And when it came out on video, people caught on. They started talking about it. They started quoting it...and they refused to stop. And then it hit cable...

This is where I come in....